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Blue Messenger
For inspiration, we note that the drawings Massimo Scolari, we have always inspired. "His way is odd. Renouncing all anthropomorphism, like a machine that has not yet been built. He does not look like the angels messengers who populated our culture. Not even resemble the iconography angels today, as Paul Klee sadness, despair, melancholy and full of doubts. "1
"The air that moves, for example, in the gas Station Inn, 1975, or PIOLTI Labirinto (driver and new forms. "2" and that Benjamin speaks of the angel as a modern figure whose gaze is fixed on the clouds of ruin, rising into the sky to escape the ravages of time turns everything into the past, Scolari is also archaeologically is artificial (Architeicial Archeology, 1979). The blue angel with wings, fly to the clouds of time, from which emerges the ziggurat, which traces a language which may be can only be decrypted on a new meaning. Precisely in this table, we can understand this art form and the importance of the cons-perspective representation Scolari, along parallel tracks. "3
Scolari said that the drawings may be as powerful as the words. In his drawings, machinery alienated worlds populate the world without a past, present or future. There are machines called illusions ", 4, and described as a center of gravity for multiforme orthopedic productive can be overcome, useful or useless, or loved detested awaits us beyond our own thoughts, which accompanies us everywhere. "5 For him, the machines appear as enigmas dimensions as Greek myth has no objective referent.
The end of the machine age to the arrival of a new era, not forgetting the great opportunity that fragmentation mutated in our built environment. The area is identified in the transition between new and old, but always with us in the past, present and future. Concerns symbolism, spirituality, and technology represent opportunities or inadequate in the field of architecture. Scolari said that a mystery "which expresses the precision." 6
Technology is seen as a enigma of a real world that has no objective reference notes and where ever not need absolute precision and metaphysics. Thanks appropriate methods of abstraction and figuration, the metaphysical precision technology can be achieved.
Massimo Scolari is an architect, painter and artist whose drawings and paintings have been a source of inspiration for architects and artists.
Footnotes
1 Scolari, Massimo. Hypnos, Harvard University Graduate School of Design, Rizzoli New York 1986, p. 12.
2 Ibid.
3 Ibid, p. 22.
4 Ibid, p. 18.
5 Ibid.
6 Scolari, Massimo. Hypnos, Harvard University Graduate School of Design, Rizzoli New York 1986, p. 18.
About the Author:
Mi Tsung Chang is currently teaching at the City College of New York School of Architecture, Urban Design and Landscape Architecture, where he teaches courses in architecture technology, theory and CAD. Professor Chang received his bachelor of architecture degree, master of architecture degree from Pratt Institute, and a doctor of philosophy degree in architecture from the Union Institute. He is the principal of Hypnos Design. Chang currently lives in New York City.
Article Source: ArticlesBase.com – The Works and Drawings of Massimo Scolari
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When I enV2 phone at the bottom of the screen inside a blue-looking symbol "which is supposed to resemble a person has two things on his side, that look a)). I was wondering if anyone know this?
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Blue Messenger – Contact Center Application
